The refinement is that the style selector has been changed from a dropdown list to a rotary knob. You still have the same eleven harmony styles that dictate how the harmony interval is chosen based on the specified scale. The second harmony refinement may not seem like a big deal at first. Even the maximum delay amount is still subtle, but I like the jangly twelve-string-like effect it adds. It’s a short delay, meant to simulate strumming. First is a delay slider that offsets when the harmony note kicks in. With the Scale option selected, the slide will always begin on the nearest half- or full-step that’s in the specified scale.Īutomatic harmony is a longstanding Indiginus feature, but Generation adds a couple new touches. The Slide Mode switch determines whether the slide interval follows the scale of the specified key, or is always a half- or full-step. So yes, this vibrato speed slider is a most welcome addition. In the past that meant editing the instrument myself, which works but still results in a fixed LFO rate and no easy way to automate it. I often prefer a slower vibrato rate than what most guitar libraries default to. The vibrato speed control is a feature I’ve been wishing for all along. Generation adds a few new enhancements for tweaking those articulations, namely controls for vibrato speed, slide mode and harmony delay. Snapshots are pretty cool and worth looking into if you haven’t used them before. clean and distorted versions of the same preset). Because they only load settings and not instruments, they load very fast, fast enough that they can be switched in and out during playback (e.g. If you’re not familiar with Kontakt snapshots, think of them as fine-tuning for presets. In addition to the 26 presets, there are 33 snapshots. There are 26 ready-to-go presets to explore to give you an idea of what’s possible, although the actual possibilities are greater than the presets alone would suggest. #INDIGINUS RENEGADE ACOUSTIC GUITAR KONTAKT PLUS#However, the amp heads and speaker cabinets are quite good, having been implemented with custom impulse responses: three amps and three cabs that you can mix ‘n match, plus a combo amp with both close and room mics. Tracy has done a good job dressing up the native Kontakt effects, but they’re mostly still generic Kontakt FX and you can often do better with plugins. If nothing else, you have to admire the guy’s work ethic.Īll samples were recorded direct, so they’re clean and ready for customization using either the built-in effects or your own favorite track-level processors. That’s a whopping 4 gigabytes’ worth of samples recorded and edited for this instrument. Tracy has sampled each pickup independently, so that all of the five pickup combinations are supported. What gives the Strat such a broad tonal palette is the arrangement of its three pickups and the interesting phase relationships between them. It’s hard to imagine a better candidate for an all-purpose guitar library. What they all have in common is the good ol’ Strat. Think about the wildly different styles and tones of Stevie Ray Vaughn, Jimi Hendrix, Eric Clapton and David Gilmour. You could make a case that the Fender Stratocaster is the world’s most versatile electric guitar. And here we go again – but this time it’s a Strat. Collins has pretty much nailed the process. I’d say that after nearly two decades of sampling things with strings, Mr. This makes, if my count is right, six electric guitars released under Tracy’s Indiginus brand, along with his eight acoustic guitars, a ukulele, a dulcimer and a harp. Another sampled electric guitar for Kontakt from Tracy Collins.
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